<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-663532517394576436</id><updated>2011-11-13T14:57:45.640-08:00</updated><category term='Professional CV'/><title type='text'>John Fraser - Film Artist</title><subtitle type='html'>John Fraser - Film Artist
professional cv - John Fraser, Toronto, Canada</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://johnfraser-filmartist.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/663532517394576436/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://johnfraser-filmartist.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>John Fraser</name><uri>http://www.blogger.com/profile/13839248098358075814</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-663532517394576436.post-701006724136759938</id><published>2010-01-05T20:30:00.000-08:00</published><updated>2011-11-13T14:57:45.673-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Professional CV'/><title type='text'>John Fraser , Film Artist</title><content type='html'>&lt;m:smallfrac m:val="off"&gt;   &lt;m:dispdef&gt;   &lt;m:lmargin m:val="0"&gt;   &lt;m:rmargin m:val="0"&gt;   &lt;m:defjc m:val="centerGroup"&gt;   &lt;m:wrapindent m:val="1440"&gt;   &lt;m:intlim m:val="subSup"&gt;   &lt;m:narylim m:val="undOvr"&gt;  &lt;/m:narylim&gt;&lt;/m:intlim&gt;&lt;/m:wrapindent&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Introduction&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;span style="color: black; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;Workon this site presents an overview of my professional experience in theentertainment industry. A few other works included in this portfolio, reflectmy artistic interests outside the film industry.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Concept Development&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;Stage Backing and Trans-Light planning.&lt;br /&gt;Production and Visual Effects concept exploration for principal photography.&lt;br /&gt;Environment concept illustration for digital post 2d and 3d scene planning.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Digital Matte Design and Paint&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;br /&gt;2D and 3D matte and environment creation. 360 degree panorama backgroundpreparation for supporting 3d foreground action. &lt;br /&gt;Current tools are primarily Photoshop for paint and Maya for 3d build andcamera mapping.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Stage Backings&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt; &lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Design and on site preparation of painted Studio Backings.I have developed a unique integrated painting system suitable to the task.&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;I adjust my role to meet the specific needs of eachproduction. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;_________________________&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;­­&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Recent Production CV - abridged&lt;/span&gt;&lt;/b&gt;&lt;/m:defjc&gt;&lt;/m:rmargin&gt;&lt;/m:lmargin&gt;&lt;/m:dispdef&gt;&lt;/m:smallfrac&gt;&lt;br /&gt;&lt;m:smallfrac m:val="off"&gt;&lt;m:dispdef&gt;&lt;m:lmargin m:val="0"&gt;&lt;m:rmargin m:val="0"&gt;&lt;m:defjc m:val="centerGroup"&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Cosmopolis&lt;/b&gt;, 2011, UniversalPictures, hired by Matthew Lammerich &lt;br /&gt;Director – David Cronenberg&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;Project Role / Crew Scenic Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Silent Hill&lt;/b&gt;, 2010, UniversalPictures, hired by John Bannister&lt;br /&gt;Producer – Don Carmody&lt;/span&gt;&lt;/m:defjc&gt;&lt;/m:rmargin&gt;&lt;/m:lmargin&gt;&lt;/m:dispdef&gt;&lt;/m:smallfrac&gt;&lt;br /&gt;&lt;m:smallfrac m:val="off"&gt;&lt;m:dispdef&gt;&lt;m:lmargin m:val="0"&gt;&lt;m:rmargin m:val="0"&gt;&lt;m:defjc m:val="centerGroup"&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Project Role / Crew Scenic Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Series, &lt;b&gt;Falling Skies&lt;/b&gt;, 2010, UniversalPictures, hired by John Bannister&lt;br /&gt;Production Designer – Rob Gray&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;Project Role / Crew Scenic Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;The Thing&lt;/b&gt;, 2010, UniversalPictures, hired by Matthew Lammerich &lt;br /&gt;Production Designer – MarcusRowland&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt;Project Role / Crew Scenic Artist, Photo-real Backing Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Three Musketeers&lt;/b&gt;, 2011,contracted by Mr. X, Dennis Burardi&lt;br /&gt;Project Role / Script Concept Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Scott Pilgrim vs the World&lt;/b&gt;, 2010,hired by Matthew Lammerich&lt;br /&gt;for Scott Pilgrim vs the World, Universal Pictures&lt;br /&gt;Production Designer – Marcus Rowland&lt;br /&gt;Project Role / Crew Scenic Artist, Photo-real Backing Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Land of the Lost&lt;/b&gt;, hired by Rhythmand Hues&lt;br /&gt;for Mosaic Media Group&lt;br /&gt;Director, Brad Silberling&lt;br /&gt;Producers, Sid and Marty Krofft&lt;br /&gt;&lt;i&gt;(released, 2009) &lt;/i&gt;distributed by Universal Pictures&lt;br /&gt;Project Role/ Senior Concept Developer and Matte&amp;nbsp; Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Time Travellers Wife&lt;/b&gt;, 2007, hiredby John Bannister for New Line Cinema&lt;br /&gt;&lt;i&gt;(released, 2009)&lt;/i&gt;&lt;br /&gt;Production Designer – John Hutman&lt;br /&gt;Project Requirements / Scenic planning and preparation of 300 x 26 ft. backingfor studio&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Repo Men&lt;/b&gt;, 2007, contracted byMambo Film Productions&lt;br /&gt;&lt;i&gt;(released, 2010)&lt;/i&gt;&lt;br /&gt;Production Designer, David Sandefur, Art Director, Dan Yarhi&lt;br /&gt;Project Role / Design Concept Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Outlander&lt;/b&gt;, 2007, contracted bySpin Productions.&lt;br /&gt;Project Role / Environment Concept and Matte Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Jumper&lt;/b&gt;, 2006, contracted byJumper Productions, VFX Supervisor, Joel Hynek, VFX Producer, Kevin Elam&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Project Role / Visual Effects Concept Artist, Crew ScenicArtist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Mr. Magorium’s Magic Emporium, &lt;/b&gt;2006,contracted by Stupid Zebra Productions, Art Director, Brandt Gordon&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Project Requirements: to plan and create digital artfor&amp;nbsp; trans-light preparation of store interior, provided for exteriorscenes of&amp;nbsp; at Wellington St. location&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;The Producers&lt;/b&gt;, contracted by NewDeal Studio&lt;br /&gt;Exec Producer – Mel Brookes&lt;br /&gt;Visual Effects Supervisor for NDS – Anthony Riazzi&lt;br /&gt;Project Requirements / VFX Concept development and creation of 3d Matte cameraprojection art to extend exterior street studio build.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Silent Hill&lt;/b&gt;&lt;br /&gt;Production Designer – Carol Speer, Scenic Lead, John Bannister&lt;br /&gt;Project Role / Crew Scenic Artist and Mural Backing Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Four Brothers&lt;/b&gt;&lt;br /&gt;Project Role / Crew Scenic Artist, Photo-real Backing Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;A History of Violence&lt;/b&gt; &lt;br /&gt;Director – David Cronenburg&lt;br /&gt;Exec Producer – Justis Greene&lt;br /&gt;Producer – Chris Bender&lt;br /&gt;DP – Peter Suschitsky&lt;br /&gt;Production Designer – Carol Speer&lt;br /&gt;Project Role / Crew Scenic Artist, Photo-real Backing Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Cinderella Man&lt;/b&gt;, hired by “Colderthan Jersey Productions”&lt;br /&gt;VFX Supervisor for Digital Domain – Mark Forker&lt;br /&gt;Director – Ron Howard&lt;br /&gt;Producer – Todd Hallowell&lt;br /&gt;Production Designer – Wynn Thomas&lt;br /&gt;Cinematographer – Salvatore Totino&lt;br /&gt;Project Role / VFX Concept Illustrator to design and plan 3D Matte Concepts forProduction and VFX&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Matrix&lt;/b&gt;, hired by ESCEntertainment&lt;br /&gt;Visual Effects Supervisor for ESC - Kim Libreri&lt;br /&gt;Head of R&amp;amp;D - Andy Lomas&lt;br /&gt;2D Sequence Supervisor – Matt Dessero&lt;br /&gt;Project Role / Sequence Concept Artist, Digital Matte Artist, VirtualBackground Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Bullet-proof Monk&lt;/b&gt;, client: BlurProductions&lt;br /&gt;Visual Effects Supervisor for Blur Studio – Richard Bluff&lt;br /&gt;Project Role / Consultant and Digital Matte Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Freddie vs. Jason&lt;/b&gt;, client: ShawnDanielle Production Services Limited for New Line Cinema&lt;br /&gt;Producer – Doug Curtis&lt;br /&gt;Production Designer – John Willet&lt;br /&gt;Visual Effects Supervisor – Ariel Shaw&lt;br /&gt;Project Role / Concept Artist for Production and Digital Matte Artist for VFX&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Santa Clause II&lt;/b&gt;, contracted byGVFX for Disney&lt;br /&gt;Visual Effects Supervisor – John Gajdecki&lt;br /&gt;Project Role / Concept Artist for Santa’s North Pole Ice Globe Environment&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Music Man&lt;/b&gt;&lt;br /&gt;Producer - John Eckart&lt;br /&gt;Production Designer – Stephen Henderson&lt;br /&gt;Project Requirements / to design and create Murals for stage&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Visitors&lt;/b&gt;, contracted by PhotonVFX&lt;br /&gt;Producer -- Carolyn Grubb,&lt;br /&gt;Visual Effects Supervisor – Soren Jenson&lt;br /&gt;Project Role / Lead Compositor, Digital Matte Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;First&lt;/b&gt; &lt;b&gt;20 Million is theHardest&lt;/b&gt;, client: DKP Effects&lt;br /&gt;Producer – Fox Entertainment&lt;br /&gt;Project Requirements / 2D, 3D Production Concept Designer, 2D Digital PaintArtist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;2 Commercials for &lt;b&gt;President’s Choice&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Organics&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;, client:Besimon-Byrne D'Arcy and co-produced with DKP Effects&lt;br /&gt;Project Role / Digital Matte Artist, Visual Effects Supervisor, CreativeDesigner&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;3 Commercials for &lt;b&gt;Telus Canada&lt;/b&gt;, client: MadFilms&lt;br /&gt;Stage Design - Joel Laing&lt;br /&gt;Project Role / Digital Matte Artist, Visual Effects Supervisor, CreativeDirector&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 14pt;"&gt;TelevisionNetwork Opening Theme for &lt;b&gt;Chorus Television’s Movie Central&lt;/b&gt;, client: &lt;b&gt;YTVCanada&lt;/b&gt;&lt;br /&gt;Project &lt;/span&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Role&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt; / Creative Director, Concept Designer, Digital MattePainter&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;X-Men&lt;/b&gt;, 2000&lt;br /&gt;Director - Bryan Singer&lt;br /&gt;Producer - Tom DeSanto, Richard Donner&lt;br /&gt;Production Designer - client: John Myhres&lt;br /&gt;Project Role / 2D, 3D Concept &amp;nbsp;Artist for John Myhre, ProductionDesigner,and 3D Digital Matte Concept Artist for closing scene of film.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;Bicentennial Man&lt;/b&gt;, 1999&lt;br /&gt;Producer / Director - Chris Columbus&lt;br /&gt;Digital Effects Producer - Lisa Goldberg&lt;br /&gt;Project Requirements / to create 3D Digital Matte Environments of New York andSan Francisco&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film, &lt;b&gt;The Big Hit&lt;/b&gt;, 1998&lt;br /&gt;Director - Kirk Wong&lt;br /&gt;Producer - John Eckart&lt;br /&gt;Visual Effects by C.O.R.E. Digital Pictures&lt;br /&gt;Animation Director - client: Kyle Menzie&lt;br /&gt;Project &amp;nbsp;Role / Digital Matte&lt;br /&gt;Consultant / Matte Artist for a 3D Digital Environment&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Feature Film,&lt;b&gt; Mimic&lt;/b&gt;, 1997&lt;br /&gt;Director - Guillermo del Toro&lt;br /&gt;Producer - B. J. Rack&lt;br /&gt;Project Role / Digital Matte Artist&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;Thank you for your consideration.&lt;/span&gt;&lt;br /&gt;&lt;span lang="EN-CA" style="font-size: 14pt;"&gt;John Fraser&lt;br /&gt;&lt;span style="color: black;"&gt;fimartist@gmail.com&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: 14pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-CA" style="color: black; font-size: 14pt;"&gt;(416) 801- 9191&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/m:defjc&gt;&lt;/m:rmargin&gt;&lt;/m:lmargin&gt;&lt;/m:dispdef&gt;&lt;/m:smallfrac&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/663532517394576436-701006724136759938?l=johnfraser-filmartist.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/663532517394576436/posts/default/701006724136759938'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/663532517394576436/posts/default/701006724136759938'/><link rel='alternate' type='text/html' href='http://johnfraser-filmartist.blogspot.com/2010/01/john-fraser-film-artist_05.html' title='John Fraser , Film Artist'/><author><name>John Fraser</name><uri>http://www.blogger.com/profile/13839248098358075814</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
